Yaoi/BL

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Sekai Ichi Hatsukoi is copyright Crunchyroll, Shungiku Nakamura

It’s actually pretty refreshing to see a character in a BL anime acknowledge that he is attracted to men. This seems like it’d be par for the course, no? But the thing is, for a genre that is all about men attracted to other men, the men in question generally tend to deny that they are attracted to other men. It’s always “I’m straight, but I’m attracted to this one guy …”

So that’s why I actually cheered with Kisa’s voiceover mentioned that he has been attracted to men all his life. Finally! In a BL anime, a character who is actually gay! Notice that they still can’t seem to call it being gay, though …

Here’s an actually thoughtful essay on the politics of characters identifying as gay in manga, instead of just snarking about it like I tend to do.

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I almost gave up on Sekai Ichi Hatsukoi. I was concerned from the get-go that the sexual harassment of the main character would get worse, and it has. I was also concerned that the theme of assault = love would continue, and it has. GAR GAR Stegosaurus has a wonderful take-down of the show, and I highly recommend reading it.

Yet I’ve persevered, and am glad I did because with the coming of the second couple featured in Sekai Ichi Hatsukoi, there is a bit of pushback against the idea that aggression = love. Even though this couple’s relationship is not without its power imbalance and may even feature assault, the characters communicate with each other as two human beings actually would and should.

Sekai Ichi Hatsukoi is copyright Crunchyroll, Shungiku Nakamura

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STEINS;GATE

Is Okabe, our main character, crazy? Or is someone really screwing with his time-traveling microwave? Or both?

Anime bloggers seem to really dig STEINS;GATE, and while I liked it much more than I thought I would, I’m not exactly ready to sing its praises. I’ve only watched episode one, but I plan to watch episode two – that’s a heck of a lot more than I could say about a lot of anime I’ve watched recently! It’s not exactly a ringing endorsement, but the main character managed to endear himself to me enough that I’m interested in his rantings and banana-torture.

My Ordinary Life

I’m pretty sure I’ve seen this show before, but I thought it was called Azumanga Daioh?

When I started reading the rave reviews around the Interwebz for My Ordinary Life, I got the impression that this was a “slice of life” comedy. Either my definition of “slice of life” is off, or everyone else’s is, because to me, this was just a series of semi-amusing gags. I was surprised to learn that this series isn’t based on a 4-koma comic strip, because it really had that short setup-punchline structure to it.

I like silly gag comedy when it is done well, and I even like absurdist humor. Hell, Sayonara Zetsubou Sensei is one of my favorite shows – but I didn’t like this at all. Only one of the jokes was funny enough for me to crack a smile, and it wasn’t even enough to sustain me for a whole episode, let alone any more episodes of this series. (I liked the guy who rode to school on a goat. That was cute. The rest? Meh.)

Deadman Wonderland

Taking the private prison indudstry to the next level, anime-style.

I’ve been wanting to read the manga that Deadman Wonderland is based on, but can never seem to find the first volume at a discounted price. (Manga is an expensive habit!) So I eagerly awaited the animated version, and it did not disappoint. A lot happens to our main character, Ganta, in the first episode and I have the feeling that he is in for a wacky, violent ride.

The juxtaposition of the amusement park and violence seems to appeal to people in some base way, and the aesthetic works for this show. (See also: Zombieland) There are also your requisite anime elements such as the infantalized pixie girl, the mysterious and greasy guy with glasses, and the dominatrix with the F cup breasts (F cup? Do F cups exist? If so, that’s not what they would look like.).

I like the way that it set up a lot of questions, gave few answers, but managed not to thoroughly confuse the audience along the way. I’ll definitely be following this series for a while, and I’m interested to see if ventures into social/political criticism territory along the way.

Sekai Ichi Hatsukoi

Am I obligated to watch this show just because it’s the only BL offering this season, amid a slate of misogynist loli crap?

Sekai Ichi is from the same mangaka that brought us Junjou Romantica, as if the weirdly angular character designs and proliferation of bunnies/teddie bears/flowers didn’t tip you off to that fact. This series centers on a hapless uke who enters the world of shoujo manga publishing, only to find out that the boy who had rejected him in high school is now his boss. (Imagine that.)

Despite the requisite sexual harassment by the love interest in the first episode, I’m kind of digging this show. (Hey, at least it wasn’t actual assault, like it was in Junjou!) We are treated to a behind-the-scenes view of shoujo manga production, which is the most interesting part of the series so far. I’m struck by the fact that the department consists of all men in the editing room, making the final decisions on the manuscripts that women and girls will read. The manga artists and assistants working for them are all women, shown to be slaving away creating the work and then submitting it for the men’s approval. It’s a little disheartening to think that this may be the way that shoujo manga is really produced – created by women, but edited entirely by men. It may also be that this is a BL show, and therefore needs to be stocked with pretty bishounen for the audience to drool over – and I’ll readily join them.

In any case, I’m up for more of this show despite the bland characters and predictable plot twists. In fact, I like the way the show winks knowingly at the audience while it offers up the very elements of shoujo manga it is exposing within the story. And I want to see more of the side characters! Bring on the more-interesting-than-the-main-guys side characters!

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So, I usually skip right past “I’m going on hiatus” posts, finding them somewhat boring and self-indulgent. On the other hand, it is nice to know that writers I enjoy haven’t dropped off the face of the Earth. In that contradictory vein, I’d like to let everyone know that my posting will be erratic at best and non-existant at worst for the near future.

My beloved (and behated) 7+ year old desktop PC has died, choosing one week before my final project is due in the last class I have to take as the best time to kick the proverbial bucket. Add that to multiple unexpected medical bills, dealing with obnoxious family matters, Holiday stress and my naturally Scrooge-ish nature and … well, let’s just say that “productive” hasn’t described my mood in a good long time.

Before I go, here’s a status update on the series I’m currently following.

• Revolutionary Girl Utena

I finished my first ebay-procured disc and enjoyed it thoroughly. I can tell that the story is just getting started though, and I’m looking forward to the really weird stuff! So far the only things keeping me going besides the insane fan recognition and awesome reputation the show has are the cool visual style, far-out music and Utena herself.

• Nana

I started watching Nana on a Netflix-inspired whim, and fell in love. Please, someone tell me if I’m going to get my poor feminist heart broken though, because this show is such a soap opera roller coaster of drama that I can sense the possibility of shattered dreams around every corner.

I love Nana O, and I love the relationship between Nana O and Hachiko/Nana K. It’s so sweet, and I love that the show treats it as equal to, or more important than, the romantic relationships that the two women have with men. Their experiences with love inform who they are as people, but their relationship with each other is so much more! I love that Nana O is the first person to treat Nana K as an actual human being, instead of defining her by her tendency to fall in love, or her clumsiness, or her flightiness, or her insecurity. Nana O takes all that in, but doesn’t treat Hachiko as simply the sum of these parts.

• Kuragehime/Jellyfish Princess

I’m not up to date with this show, because I didn’t like the direction it started heading. When the stereotype-oozing character of the career woman who sleeps around showed up, I think I died a little. I had such hopes for this anime, and then it goes and creates a shallow woman who embodies all the negative cliches about women with ambition – why, Kuragehime, why?! Well, I get why. She’s around to contrast with the Sisterhood. She is confident personally and sexually (overly so), whereas the Sisterhood are very much not. But to show the Sisterhood’s backwardness, it doesn’t seem necessary to go to this extreme. It’s already pretty painfully obvious how much the quirks of the Sisterhood impede their ability to go out into the “real” world.

• Togainu no Chi

Yes, I’m watching Togainu no Chi. Yes, I’m still watching Togaino no Chi. Despite the utter lack of plot coherence or structure, the use of angst as a susbstitute for character development, and the absolute lack of demonstrable yaoi … I still watch. I want to say it’s a gesture of support to the yaoi fangirls who have had to endure a slog of moe/incest shows aimed at otaku males. Or maybe a hope that the plot will improve and the bishounen will magically turn into fascinating character studies. But really, I think it’s Tomokazu Sugita. Yeah, that’s about it. When Keisuke took the drugs that gave him personality, I realized what skill it must’ve taken Sugita to repress his awesome voice until that point. I had no idea that Sugita was even playing Keisuke until Crazy!Keisuke came out! (I’m not proud of this as a Gintama-obsessed seiyuu fan.)


I hope to better able to write more in the future!

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(Please pardon the pun.)

Here’s a roundup of what I’ve been reading on my day off. You know, instead of cleaning my apartment, writing blog posts, doing homework, looking for a job that doesn’t suck, writing that novel I started a million years ago, cooking dinner … Yeah, I’ve gotten sucked into the interwebs today.

This is relevant to my interests.

Women =/= Vending Machines. Exploring how video games perpetuate a damaging and limiting view of sex. Warning: some comments are awesome, most are not.

Japanese Ruling Party Pushes Women to be Wage-Earners. The DPJ want to abolish an economic policy that encourages women to limit their monthly income and depend on their husbands.

Weddings? I prefer funerals. This is pretty much exactly how I feel about marriage. Ok, maybe it’s a little more extreme than my feelings exactly, but the sentiment is the same.

Reproductive Health and the Public Option. I can haz the public option? Pweez?

Married Japanese Women may be able to keep their surnames. Umm, why is this law still on the books? Seriously, Japan!

‘Babe’ watch: Sexism in daily life. Reader-submitted examples of sexism encountered everyday.

A Crash Course in Boy’s Love – History I haven’t finished this series yet, so I don’t know if I’ll recommend GN’s interpretation of the yaoi genre. But so far, the history is interesting!

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